"昆曲传承+inheritance+of+Kunqu+opera英语短句+例句大全" is a collection of English phrases and sentences related to the inheritance and preservation of Kunqu opera. Kunqu opera, a traditional form of Chinese musical theater, holds a significant position in the world"s cultural heritage. This compilation provides a comprehensive resource for expressing the importance of preserving and passing down this ancient art form in the English language. From discussions on the significance of Kunqu opera to examples of its influence on modern performing arts, this collection aims to promote a deeper understanding and appreciation of the cultural value and historical significance of Kunqu opera in an international context. Whether for academic study, cultural exchange, or personal interest, "昆曲传承+inheritance+of+Kunqu+opera英语短句+例句大全" serves as a valuable resource for anyone seeking to explore the rich cultural heritage of Kunqu opera in the English language.
昆曲传承,inheritance of Kunqu opera
1)inheritance of Kunqu opera昆曲传承
2)Khon昆氏传承
3)Kunqu Opera昆曲
1.Aestheticism in Chinese Traditional Opera——On the Charming of Art inKunqu Opera and its Heredity and Renovation;中国戏曲中的美——昆曲的艺术魅力及昆曲的传承与革新
2.On the Aesthetical Characteristics of ChineseKunqu Opera s Free Representation;论昆曲写意性的唯美化特征
英文短句/例句
1.The Translation of the Lines of Kunqu Opera in Relation to its Rules:A Case Study of "An Interrupted Dream" of "The Peony Pavilion"昆曲曲律与《牡丹亭》之《惊梦》曲词英译
2.the qudi is longer, and is often used to accompany Kunqu Opera.曲笛较长，常用于昆曲伴奏，
3.A graduator student of Shanghai Traditional Opera School, mainly acts "Wu Chou" (a buffoon who has acrobatic and fighting skills in Kunju Opera).上海戏曲学校首届昆曲班毕业，工武丑。
4.Classical Phonological Diagram and Musical Composition of Kunqu;等韵图在昆曲度曲理论中的运用探析
5.Aestheticism in Chinese Traditional Opera--On the Charming of Art in Kunqu Opera and its Heredity and Renovation;中国戏曲中的美——昆曲的艺术魅力及昆曲的传承与革新
6.Lin Weilin, director of Zhejiang Kunqu Opera Troupe, said that Kunqu should not become a “cultural relic”.浙江昆剧团团长林为林说，昆曲不应该变成“文物”。
7.Kun Opera, also called "Kunqu" originated in the Kunshan region of Jiangsu Province.昆剧，亦称昆曲，产生于明代嘉靖，隆庆年间（1552－1572）的江苏昆山。
8."It soon spread, and by the 17th century it was the supreme style of theatre in the country."与此同时，昆曲很快流行开来，到17世纪，昆曲在全国占据了主导地位。
9.Further on WEI Liang-fu"s Tone Reform--Reply to Mr. DAI He-bing on the Sound and Status of the Kunqu Opera再论魏良辅声腔改革——就昆曲语音、昆曲地位答戴和冰先生
10.She was graduated form Shanghai Traditional Opera School, mainly acts HuaDan(the young and lovely women).上海市戏曲学校首届昆曲班毕业，工花旦。
11."The theater world produced masterpieces to drama literature in the form of "zaju"and "Kunqu". "中国戏曲史上出现过许多杂剧和昆曲的杰作。
12.A great poet"s devotion to Kunqu opera--on Wu Weiye"s opera writing大诗人的昆曲情结——论吴伟业的戏曲创作
13.A Preliminary Study on Musics in the Kunqu Opera the Western Chamber in Ming and Qing Dynasties;明清昆曲《西厢记》音乐的初步研究
14.The Refinement and Great Libido--The Kunqu Opera s Esthetics Characteristic in“Lascivious Conation”;至雅大欲——昆曲水磨调“意淫”的审美特征
15.Cultural Mark of Kunqu Opera Theatrics:Poetic Charm and Painting Conception;昆曲舞台表演的文化印记:诗情·画意
16.《Qiong Lin Yan》, the Leather-silhouette show Edition and Kunqu Opera One Collected in the Shuang Hong Tang;双红堂藏皮影戏《琼林宴》与昆曲《琼林宴》
17.On Singing Ci with the Tune of Kunqu Opera:Centered on Xue-Shaohui"s Viewpoint on Singing Ci论以昆曲唱词——以薛绍徽唱词观为中心
18.The Investigation and Research of Kun Qu Shifan浙江遂昌“昆曲十番”音乐形态探析
相关短句/例句
Khon昆氏传承
3)Kunqu Opera昆曲
1.Aestheticism in Chinese Traditional Opera——On the Charming of Art inKunqu Opera and its Heredity and Renovation;中国戏曲中的美——昆曲的艺术魅力及昆曲的传承与革新
2.On the Aesthetical Characteristics of ChineseKunqu Opera s Free Representation;论昆曲写意性的唯美化特征
4)Kun Opera昆曲
1.Artistic Connection between Huishan Pinch-mould Opera Characters andKun Opera;惠山手捏戏文与昆曲的艺术关联
2.Kun Opera and Nohgaku-On the Stage Structure and Performing Form of Sino-Japanese Traditional Opera;昆曲与“能”——试论中日传统戏曲的舞台结构与表演形态
3.The Role that Family Troupe Played in the Progress ofKun Opera;论家班在昆曲发展史上的意义
5)kunqu昆曲
1.A Study on Kunqu Teaching Practice of Zhang Weidong;张卫东昆曲传承实践研究
6)Lake Kuncheng昆承湖
1.Research on Pollution Characteristics of Nutriment Elements and Heavy Metals in Sediment ofLake Kuncheng;昆承湖沉积物中重金属及营养元素的污染特征
2.Spatial distribution of water quality parameters inLake Kuncheng;昆承湖水质参数空间分布特征研究
延伸阅读
昆曲昆曲中国戏曲剧种。又称昆剧。发展明初已有昆山腔。嘉靖年间，魏良辅借助张野塘、谢林泉等民间艺术家的帮助，建立了委婉细腻、流利悠远号称水磨调的昆腔歌唱体系，但仅是清唱。后经昆山人梁辰鱼等人改革，并创作传奇《浣纱记》上演，声名大振，文人学士争用昆腔新声创作传奇，遂与海盐腔、余姚腔、弋阳腔并称明代四大声腔。至万历末，一跃而为诸腔之首。昆腔传入北京，迅速取代北曲的地位，受到了士大夫和群众的欢迎，逐渐发展成为全国性剧种时人称为官腔。昆山人梁辰鱼等创作的《浣纱记》昆曲演出泥塑从明天启至清康熙末年，是昆曲发展的鼎盛期，新作不断涌出，表演日趋成熟，身段表情，说白念唱，服装穿戴也日益讲究，脚色齐全，分工细致，一般剧种，难与抗衡。但由于传奇体制较长，全本演出需要两个晚上或更多时间，随着清代花部诸腔的兴起，倚重生、旦格局，讲究词曲典雅的昆剧受到冲击，经过艺人的演出实践，删除了一些场次，选择精彩的一出或数出，加以充实丰富，作为短剧独立演出，于是，折子戏应运而生。乾隆三十五年（1770）由玩花主人编选的折子戏总集《缀白裘》的问世，标志着昆曲由演出全本传奇到演出折子戏的过渡。折子戏以情节生动、表演细致，给乾、嘉时期昆曲舞台带来了生动活泼的局面。而与之俱来的是剧目锐减，表演凝滞，缺乏新鲜气息。加之格律过分谨严，文辞古奥典雅，使昆曲脱离群众，步入困境。道光以后，昆曲虽在新兴城市的上海支撑一时，待到光绪时徽班、京班相继南下，昆曲难与匹敌，遂逐渐衰落。中华人民共和国建立后，在政府的扶植下，一出《十五贯》演出，轰动全国。至今昆曲清唱仍在海外华侨聚居区传唱。风格昆曲行腔优美，以缠绵婉转、柔曼悠远见长。在演唱技巧上注重声音的控制，节奏速度的顿挫疾徐和咬字吐音的讲究。场面伴奏乐曲齐全，以声若游丝的笛为主奏乐器，使昆曲音乐以婉丽妩媚，一唱三叹著称。由于表演艺术的全面发展，脚色行当自然越分越细，如老生分副末、老外、老生；小生分官生、小生、巾生；净分大面、白面、二面、小面；旦分老旦、正旦、作旦、刺杀旦、五旦、六旦、耳朵旦等。各行脚色都在表演上形成自己一套完整的表演程式。这些程式化的动作语言，在刻画人物性格、表达心理情绪、渲染戏剧性和增强感染方面，形成了昆曲完整而独特的表演体系。作为一个独立的剧种固然衰微已久，而其艺术生命实际上远远没有终结，京剧、越剧、川剧、湘剧、婺剧、祁剧、桂剧、柳子戏等，都受其深刻影响，仍保留着昆曲的部分剧目、声腔和曲牌。至今浙江、上海、南京、北京还有独立的昆曲剧团，继续演出。昆曲《本无·色空》
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